Santiago, worn out and almost delirious, uses all his remaining strength to pull the fish onto its side and stab the marlin with a harpoon. Santiago straps the marlin to the side of his skiff and heads home, thinking about the high price the fish will bring him at the market and how many people he will feed.
On his way in to shore, sharks are attracted to the marlin's blood. Santiago kills a great mako shark with his harpoon, but he loses the weapon. He makes a new harpoon by strapping his knife to the end of an oar to help ward off the next line of sharks; five sharks are slain and many others are driven away.
But the sharks keep coming, and by nightfall the sharks have almost devoured the marlin's entire carcass, leaving a skeleton consisting mostly of its backbone, its tail and its head. Santiago knows that he is defeated and tells the sharks of how they have killed his dreams. Upon reaching the shore before dawn on the next day, Santiago struggles to his shack, carrying the heavy mast on his shoulder, leaving the fish head and the bones on the shore.
Once home, he slumps onto his bed and falls into a deep sleep. A group of fishermen gather the next day around the boat where the fish's skeleton is still attached. One of the fishermen measures it to be 18 feet 5. Pedrico is given the head of the fish, and the other fishermen tell Manolin to tell the old man how sorry they are.
The boy, worried about the old man, cries upon finding him safe asleep and at his injured hands. Manolin brings him newspapers and coffee. When the old man wakes, they promise to fish together once again. Upon his return to sleep, Santiago dreams of his youth—of lions on an African beach. Ernest Hemingway in . Written in , and published in , The Old Man and the Sea is Hemingway's final full-length work published during his lifetime.
The book, dedicated to " Charlie Scribner " and to Hemingway's literary editor " Max Perkins ",   was featured in Life magazine on September 1, , and five million copies of the magazine were sold in two days.
In May , the novel received the Pulitzer Prize  and was specifically cited when in he was awarded the Nobel Prize in Literature which he dedicated to the Cuban people. The Old Man and the Sea served to reinvigorate Hemingway's literary reputation and prompted a reexamination of his entire body of work. The novel was initially received with much popularity; it restored many readers' confidence in Hemingway's capability as an author.
Its publisher, Scribner's , on an early dust jacket, called the novel a "new classic", and many critics favorably compared it with such works as William Faulkner 's short story The Bear and Herman Melville 's novel Moby-Dick. Gregorio Fuentes , who many critics believe was an inspiration for Santiago, was a blue-eyed man born on Lanzarote in the Canary Islands.
After going to sea at age ten on ships that called in African ports, he migrated permanently to Cuba when he was After 82 years in Cuba, Fuentes attempted to reclaim his Spanish citizenship in Hemingway at first planned to use Santiago's story, which became The Old Man and the Sea , as part of an intimacy between mother and son. Relationships in the book relate to the Bible, which he referred to as "The Sea Book".
Some aspects of it did appear in the posthumously published Islands in the Stream. Hemingway mentions the real life experience of an old fisherman almost identical to that of Santiago and his marlin in On the Blue Water: Joseph Waldmeir's essay " Confiteor Hominem: Ernest Hemingway's Religion of Man" is a favorable critical reading of the novel—and one which has defined analytical considerations since.
Harold Hurley and Bickford Sylvester to determine the exact dates in September when the story takes place; to infer a great deal about Cuba's cultural, economic, and social circumstances at the time; and to establish Manolin's exact age. These references do more than provide background information, establish the story's cultural context, and advance the plot. These references also indirectly reveal the characters' motivation, inform the dialogue, and uncover the story's integral thematic dimensions.
Hemingway also relies on blending narrative modes to achieve a shifting psychic distance. The story begins and ends with a third-person, omniscient narration that doesn't dip into Santiago's thoughts. The two parts of the story that take place on land benefit from this controlled reporting. For example, the poignancy of Santiago's circumstances at the story's beginning and the tragedy of his defeat at the story's end are not lost on readers, but instead resonate within them without melodrama because of this psychic distance.
On the other hand, the part of the story that takes place at sea draws closer to Santiago's perspective by letting him talk to himself, by presenting a third-person narration of his thoughts, or by drifting subtly from either of these methods into a kind of interior monologue or limited stream of consciousness. This perspective is essential to the story's middle part at sea, which is an odyssey into the natural world, a coming to grips with the natural order, an acceptance of the inevitable cycle of life, and a redemption of the individual's existence.
As the transition into Santiago's thoughts seems logical and intuitive because he is alone at sea, with no one to talk to, so does the transition back out again because he returns to land so deeply exhausted.
His editor gave him lessons in writing that he continued to utilizeas a writer. He was advised to always use short, simple words andsentences. He was also told not to use adjectives, especially thoseof the grandiose variety.
What does the old man think about the marilin in The Old Man and the Sea? What is a summary of The Old Man and the Sea? He even loses his helper over it because the boy'sparents make him work for a more successful fisherman. On the 85day Santiago goes out further and hooks a giant marlin that pullshim through the ocean for 2 days.
On the 3rd day the fish tires andSantiago is finally able to pull it in and slays it with a harpoon. He is beat up from the fishing line but knows that this giant fishwill bring him a great deal of money, even if the ones who eat itaren't worthy. The fish leaves blood trails in the water and sharkscome to attack. Santiago tries to fight them off but is unable toand by the time he returns home he only has a skeleton left to showof the fish.
He goes to bed. While he is asleep the townspeople seethe skeleton and mistake it for a shark. The boy comes and is happyto find Santiago asleep in his bed. He brings him coffee and thepaper. When Santiago awakens he and the boy agree to becomepartners again before Santiago falls back asleep and dreams hisusual dreams of lions playing on the beach in Africa.
What is the relationship between the sea and the old man? The relation is that they have both been around for what seems like ages and are both full of information. As for sailors the sea calls to us and the call becomes stronger the older we get and when we answer the call we become one with the sea and are in harmony with it living as if it were a human, but we are always aware of her moods and can interperate them and understand them, and therefore want to be on the sea as much as we can because it is one of the few things that we can relate to.
What is the theme of The Old Man and the Sea? The theme of this story is that "A man can be destroyed but cannot be defeated". Every one should struggle hard till his last breath until he reaches his destination. What is The Old Man and the Sea about? The Old Man and the Sea is a story about a Cuban fisherman whoseluck changes when a giant fish drags him out to sea. The old man and the sea moral lesson? The old Man and the Sea is not the only strugle of santiago but the struggle of gthe each human beings of the world.
Like santiago we have to fight with our destiny. Why did Hemingway write the old man and the sea? Hemingway, simply put, was a man of action, always aware of the battle between man and the elements, the carnivores in the animal kingdom he was a daring big game hunter and an excellent deep fisherman himself. Those carnivores were found on land and in the seas.
As he grew older the perception of the encounters between a hellion in the sea and the iconic male master o'er the sea gradually took shape in his brain, his idea of a to the death showdown between the old wily fisherman and the primed instinctive sea-denizen jelled into a metaphor of life's struggles itself.
And as a writer he had to manifest that perception in a story, and thus we have his "Old Man and The Sea. In The Old Man and the Sea what does the sea symbolize? Sea symbolize for life,strength. What was The Old Man and the Sea about? In the Ernest Hemingway story, an old man went fishing for a big swordfish in a small boat. He caught it, but most of the swordfish was eaten by sharks on the way home. It's about seeking a goal, and when you achieve your goal, often you find out that your victory wasn't worth the effort.
The Old Man and the Sea sea as a Characters? The Old Man and the Sea-who is Manolin? Manolin is the young boy who befriends Santiago the old man and helps him out by giving him food and bait to fish.
What is the summary for The Old Man and the Sea? What is the writing style of the old demon? In the old days , Italics and bold type only survivors, there was a sort of special script which would give not only the meaning of say, a line of poetry but emphasis and pronunciation as well. This has survived in Italics, Bold type and such things as exclamation points.
In Ancient times this was done differently. I have seen what an only be called Demonic Handwriting, It is very, very ponderous and heavy and hard to describe. I saw it on the business card- should have bought it in l - of a Deceased Opera Star.
It was really weird looking, almost like She was struggling with Demons to get the letters on the paper, very heavy, Gothic-like and in dark red Ink. The Old Man and the Sea as a allegory? The entire novel The Old Man and the Sea is allegory.
Many symbols such as the lions on the beach, the marlin, the shovel-nosed sharks, and many others convey represent an abstract or spiritual meaning below the surface.
In the novel, Santiago dreams about lions on a beach three times. Each time he associates the lions with the freedom found in youth, portraying this cycle of life. The lions could also represent a harmonization of the opposing forces in nature because the usually aggressive lions are found to be innocent and playful. The marlin represents the ideal opponent for Santiago. The fish brings out the best in Santiago:
Yes, that’s right, the man gets his own style name. That’s because Hemingway is famous for his short, factual sentences and the declarative nature of his words. He popularized this style at a time when people were peppering parenthetical prepositional phrases into their work like there was no tomorrow.
The style of Hemingway's writing is on clear display in his most well-known work, The Old Man and the Sea. Let's look at a few examples. The Style of The Old Man and the Sea. History tells us that Hemingway wrote and revised his most famous novella hundreds of times before it .
In The Old Man and the Sea, nearly every word and phrase points to Hemingway's Santiago-like dedication to craft and devotion to precision. Hemingway himself claimed that he wrote on the "principle of the iceberg," meaning that "seven-eighths" of the story lay below the surface parts that show. May 26, · The Old Man and the Sea, by Ernest Hemingway, bears little similarity to books or writing styles I’ve read before. The story is an intriguing tale of a Cuban fisherman, Santiago, who has gone eighty-four days without catching any fish at all; his young assistant, whom he admires greatly, is taken from him by the boy’s parents and forced upon a different boat.
Hemingway's writing style was one all his own. In The Old Man and the Sea he used a very minimalist approach to his writing. Hemingway published in his life, The Old Man and the Sea typically reflects his unique writing style. The language is The language is simple and natural on the surface, but actually deliberate and artificial.